Archives for posts with tag: Bates Motel

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This is another project that’s been finished a while, but the writing up and photographing seem to take an age! In the end, I have opted for this very natural photo taken in the pub by my pal last night. We were there for the pub quiz, the England flag was flying to celebrate St George’s Day.

We lost the quiz. I think it was my fault. I don’t expect another invite.

I was distracted as I took some more knitting, the first cotton garment to grace the needles in a while; I have plans to make a few this year, in anticipation of a hot summer. A post for another day I think, back to the cardigan.

I chose this pattern, Marion by the ever so talented Andi Sutterland, for my Knitting Goddess Movie Stars KAL project for April, based on Anthony Hopkins.

The link? Well, he starred in a 2012 film called Hitchcock, playing the famous director. Hitchcock directed one of my favourite films of all time, Psycho, in which a character called Marion Crane is killed in the infamous shower scene.

The movie is one that has always been there, THAT shower scene iconic enough to be familiar even in childhood, when I had nightmares about Norman Bates hiding in my wardrobe. It was a student that I began to appreciate the true genius of the film. As part of my Theatre Studies degree at Liverpool Hope University, I took a film module and wrote an assignment on the evolution of the horror film; specifically slasher flicks. It was 1995 and Scream had just been released, which satirised the usual formula and piqued my interest. I wrote about that film, and traced the genre back through the heyday of Halloween to Psycho, considered by many to be the forerunner.

More recently, the TV series Bates Motel has reminded me how much I loved the original, as well as providing me with my new fashion icon. Unfortunately, the second season is proving a little lack-lustre, so I turn again to the original to be scared and entertained. Anthony Perkins as Norman Bates is just one of the best cinematic baddies ever.

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*shiver*

Onto the pattern itself. I love Andi’s designs, having previously knitted a Miette and a Stray. This was just as well done as the others; clear, simple and just my style! The rope-type cables put me more in mind of a medieval Maid Marion, perhaps the original inspiration for the design. I chose some Classy from stash, in a lovely russet brown which will match a lot of my cross-seasonal wardrobe. I fretted about finding five buttons to match from my eclectic tin, and opted for mis-matched vintage ones in the end. You can see from the photo that they ended very high on the button band, and I could’ve done with just three. I may remove the two erroneous buttons, but I will keep the remaining ones odd I think. It adds to the handmade look I like, plus I abhor all finishing and like to minimise it where possible!

Next month is Maggie Smith. I already have something up my sleeve (or on my head) for that……….

norma bates blue dress

Ever feel like someone has stolen your fantasy wardrobe?

Occasionally a woman comes along who encapsulates everything you want to convey with your style: class, individuality, a nod to timeless elegance, murderous tendencies..

OK, scrap that last one.

In Bates Motel, currently showing on Universal, Thursdays at 9pm in the UK, we meet Norma, mother to infamous Norman (played by an all growed up Freddie Highmore), in a prequel of sorts. It may be stretching it to call her murderous, although she is indeed a murderess (not technically a spoiler, this has been airing in the UK for over a month-where have you been people?!), at least once over so far.

Not entirely unsympathetically drawn, Norma is a strong woman struggling to open a motel in a town full of slowly unravelling secrets, whilst trying to protect her shy and somewhat charming boy from his inevitable descent into the monster we are more familiar with.

And she does it all whilst looking absolutely fabulous (split lip accessory optional).

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The scheduling clash of Peaky Blinders with Bates Motel caused a bit of consternation in our house for a few weeks, but now there is no contest.  Whereas the former combines accurate period detail with a contemporary sound track, the latter is more ambiguous about time and place. Ostensibly set in the modern day, the main characters in particular wear clothes more suited to the 40’s or 50’s, making it odd to see shots of Norman clad in a Fairisle jumper and slacks checking his iPhone. This jarring of the characters against their background provides a strange, unnerving atmosphere; the whole series feels very Twin Peaks to me.

I love it.

But nothing so much as Norma’s wardrobes. The dresses! The blouses! The chicness! Vera Farmiga (looking spookily like Gillian Anderson) puts in a cracking performance as the matriarch with control issues.  I’d only previously seen her as a brunette, but here she is a perfect Nordic blonde, very Hitchcock, and cuts a dash in every outfit. The floral dress and fitted cardigan look is one of my own favourites, but like Norma I don’t always play it demure. I’d love to know where this dress is from for example.

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It’s not all flowery frocks. Norma gets down and casual in a while. She has a great range in plaid shirts, and just may be the only woman ever to inspire me to shop for a belted tan leather jacket. But there is one aspect of her style which really has me green with envy. Norma ROCKS a good blouse, and boy has she got some good blouses.

norma blouse

I have always struggled to get shirts to fit, being a somewhat unfortunate combination of shortwaisted and booby. Consequently I am usually flashing my bra through a gap at the front, and the extra material in the length always seems to make its way into a humpback, leaving me looking like a lady Quasimodo. But not our Norma. Not only can she wear a blouse and apron combo with aplomb, she can cook and clean and KILL in that getup!

Us mere mortals can only dream.